Minggu, 15 Februari 2015

[I838.Ebook] Download PDF The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

Download PDF The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

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The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo



The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

Download PDF The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

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The Music of Painting: Music, Modernism, and the Visual Arts from the Romantics to John Cage, by Peter Vergo

A sequel to Phaidon's That Divine Order, (2005), which surveyed the relationship between music and the visual arts from ancient times until the mid-eighteenth century, The Music of Painting continues this fascinating study in the period covering the emergence and development of Modernism, c.1850-1950. Composers and artists repeatedly borrowed from one another, yet their motives have seldom been explored. Professor Peter Vergo provides a broad analysis of changes in the character of the analogies drawn at different times, using in his analysis critical and philosophical sources as well as evidence about artistic and musical practice.

Music has inspired some of the most progressive art of our time from the abstract painting of Wassily Kandinsky to the mid-century experimental films of Oskar Pischinger. The most complete examination of this phenomenon to date, The Music of Painting features major works of art plus related documentation, focusing on abstract and mixed-media art forms and their connections to musical forms as varied as classical and jazz.

  • Sales Rank: #1675929 in Books
  • Brand: Brand: Phaidon Press
  • Published on: 2010-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.50" w x 7.25" l, 2.36 pounds
  • Binding: Hardcover
  • 368 pages
Features
  • Used Book in Good Condition

Review
'lucid and engrossing' The Independent, 'cross disciplinary to-ing and fro-ing is elegantly orchestrated in this book by Peter Vergo, a must have for anyone interested in why Modernism looks (and sounds) as it does.' Art Quarterly 'scholarly and sizable ... its articulate prose and beautiful presentation [...] make it a worthy contender for your Christmas wish lists.' Muso 'Over a long period, Peter Vergo has submitted music and the visual arts to sustained comparative analysis. Often on untrodden ground, for a time the only voice in British scholarship in this field, his work is consistently engaging and enlightening ... Vergo teases logical sequences from dense histories - for instance the trajectory of Chopin-Delacroix-Baudelaire-Whistler-Debussy ... The range and scope of the two volumes That Divine Order and The Music of Painting is astonishing ... Together, these two volumes offer a dictionary of the subject that will be invaluable to scholarship for years to come. This latest study not only makes it clear once and for all the significance of the interchange of the arts, but, I would suggest, casts new light on Modernism itself.' The Burlington Magazine

About the Author
Peter Vergo is Professor of Art History and Theory at the University of Essex, and author of That Divine Order and Art in Vienna 1898-1918, both published by Phaidon.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Not an easy read, but...
By Raymond
This book is the February selection for our Arts & Culture Book Club. It's not an easy read for the lay person, and my attempts at explaining its concepts to fellow members who have yet to read it have fallen short. But, I have continued to read it because it's fascinating - despite being dense. I find myself looking for additional books to read (I've already bought and read a short book about Klee and his use of color and Kandinsky's "On The Spiritual in Art") and downloading Wagner and Mussorgsky - artists and musicians discussed in this book who warrant further exploration. I am looking forward to our group's discussion of the book later this month. It's a stretch for us but, I believe, will be invaluable as we continue to read about modern art and artists.

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